
Direct response veterans reflect on 25 years of the infomercial and the lessons that they’ve learned along the way.
BY RICHARD SCHEINER
Welcome to the fourth installment of Electronic Retailer’s celebration of the 25th anniversary of the infomercial.
As we all now know, Al Gore did not invent the Internet by himself, and Lebron James can’t win a championship without some help. It takes many individuals to create a success, and the direct response industry is no exception.
As inventors, marketers, producers, media agencies, telemarketers, fulfillment service suppliers, webmasters and product manufacturers–many of us have played our part. Some individuals have endured the test of time, and others have stepped in to bring the genre to the next level.
In preparation for the D2C Convention in Las Vegas in September, the ERA Public Relations Committee and ERA staff have been busy at work, assembling exhibits of some of the industry’s most iconic and memorable infomercial products to be featured at the convention’s 25th Anniversary Pavilion. Included will be product samples, clips of memorable shows, and information on some of the people and companies that have contributed to the growth and success of the infomercial. We urge all attendees of the convention to stop by the pavilion to visit and reminisce.
This month, we hear from Mercury Media’s John Cabrinha and Dan Danielson, Tim Hawthorne of Hawthorne Direct, Jeffrey Knowles of Venable LLP and Richard Stacey of Northern Response (Int’l) Ltd.
Richard Scheiner is chief operating officer at International Commercial Television Inc. in Wayne, Pa.
Dan Danielson
and John Cabrinha
Co-Founders and Co-Chairmen
Mercury Media
Electronic Retailer: How did you both get into the DRTV industry?
Dan Danielson: John Cabrinha got his start in the DRTV business in 1982, answering telephones for one of the first home shopping shows called “Telephone Auction.” He worked his way up from an operator to a media buyer and was actually an “on-screen demonstrator” a couple of times.
John Cabrinha: I met Dan Danielson at a company called SyberVision in 1987. We were two of the first people to ever call a television station and convince them to sell us a half-hour. We developed relationships with cable systems and broadcast stations all over the country. Back then, stations didn’t know what the value of the time period was and neither did we, so we did some calculations on what they should sell it to us for, and we waited for the response to see if we were correct. We quickly developed a database of stations, markets and time periods and what price they worked for and what types of products were successful.
Danielson: This was so early in the history of DRTV that half-hours weren’t even called infomercials back then. There were only a handful of shows on the air during that time, and we were all learning things as we went along.
ER: Is there any one product that you believe changed the face of DRTV for the consumer?
Danielson: If we look back over the past 25 years of infomercials, we could almost create a time line of the business over those years based on the “mega-hits” that were out there–the products that became household names. Some people in the industry are too young to remember some of the older titles that were there at the start of the business.
SyberVision: The Neuropsychology of Weight Loss was one of the first “home look- and-feel shows.” So many shows followed the style that this show set in 1987. Tony Robbins Personal Power was one of the first shows to use true celebrity hosts and to appeal to a mass audience. Ron Popeil’s Food Dehydrator and Pasta Maker were two of the first massive kitchen product hits. There were other kitchen shows that worked, but Ron took it to another level.
Cabrinha: Tae Bo is one that we consider “the” mega hit because it was the first show that hit the airwaves and ran so much media in a relatively short period of time, and people still talk about it to this day. It is a show to compare your success to, and that success was met or exceeded over a long period of time by The Total Gym.
We consider Bare Escentuals to be the quintessential makeup product that created a brand and had a long TV life and shelf life. Magic Bullet would be considered the modern day big hit. It’s had a long TV life, went to retail and continues to be successful in both channels. They set a trend and broke the mold. I’m sure there are so many shows that we are leaving out that were monumental: Proactiv Solution (long life, brand establishment), Power 90 (exercise, weight loss, customer satisfaction, web, etc.), Kevin Trudeau (various shows developing the talk-show format). Also, Time-Life (with the music and video). We could go on and on.
ER: What is your most memorable (insightful, funny or endearing) story of the DRTV industry or a colleague in the industry to date?
Danielson: We have been doing this for such a long time now that we have so many stories and experiences that have been funny, exciting, humorous and sentimental. As the industry is getting older, the individuals in the business are getting older. We have lost some of our fellow industry pioneers in the past few years. We have always loved this industry because of the people. We have worked with so many great people, whether as clients, vendors, consultants or just friends growing up in the business.
There are lots of stories that we can’t publish, and there are many that are way beyond the word limit we have in this article. The one reason we keep going to work every day and attending every industry event is because we love the relationships and the people we have met over the years, and look forward to seeing those relationships continue to blossom, and hopefully continue to develop relationships with new people as they come into this industry.
Timothy Hawthorne
Founder, Chairman and Executive Creative Director
Hawthorne Direct
Electornic Retailer: What were you working on 25 years ago, in relation to DRTV?
Timothy Hawthorne: In November 1984, I sat in the basement of a local electrician’s home (one of the few C-band satellite owners in Fairfield, Iowa), struggling to tune in tiny cable network, Satellite Program Network (SPN), awaiting the telecast of my first infomercial to air in what, unbeknownst to me, was soon to be a new era of DRTV.
Moments after the hour-long infomercial, I anxiously called our small telemarketing partner in Omaha for results. I was disappointed to learn only 100 orders had been posted. One hundred seemed like a fraction of the potential, considering SPN was in 5 million homes. I pulled out some scratch paper and did my first MER calculation: cost of media: $3,000. Sales: $30,000. Ohhh…a 10 to 1. Thus began my transition from DGA director and documentary filmmaker to DRTV advertising. Over the next 18 months, I helped build the Beckley Group, 525 staff strong, with over $100 million in sales–one of the first major long-form direct marketers.
ER: How has the DRTV industry changed over the past 25 years?
Hawthorne: In 1986, I launched Hawthorne Direct, an ad agency dedicated to bringing long-form DRTV to brand advertisers. For 15 years, I had been telling compelling human interest or investigative stories via documentaries; now I was telling product stories. I still considered myself a filmmaker, not an adman–but these “product stories” presented an even greater challenge: results not measured in TV ratings, but sales and immediate feedback on how successful I executed my visual communication skills. It was thrilling and frightening at the same time.
My vision was that all major brands should capitalize on long form’s inherent power: “The more you tell, the more you sell.” It took a while, but over the past 25 years, hundreds of brands have incorporated DRTV into their marketing mix. Along the way, average production budgets tripled, media prices quintupled and hit ratios “inverse septupled” (from 1/3 to 1/20). Simultaneously, our business has gained complexity, credibility and customers, and expanded product categories, professionalism and stability.
ER: What, if any, technologies and trends will influence future growth and help to shape the DRTV industry?
Hawthorne: PVR, VOD, Internet, mobile, interactive TV, gaming, local, TV Everywhere, Digital Out of Home, social, apps, fragmentation, consumer choice: these are the hallmarks of the New Media age–nothing less than a revolution in communication and advertising as significant as moveable type.
The 65-year-old linear TV viewing experience will remain for a few more decades but diminish in use, replaced by viewers interacting with advertising messages on four screens: TV, computer, mobile (hand set or tablet) and out-of-home digital displays. The primary threat to all advertising remains: in a world of infinite choice, how do we engage viewers in our products’ stories? Any ad delivery mechanism that provides consumer control, immediacy and relevancy will win out in the end. But ads incorporating the trademarks of DRTV–great products and motivating offers–should always find success.
Jeffrey Knowles
Partner
Venable LLP
Electronic Retailer: How did you get into the DRTV industry?
Jeffrey Knowles: In the late ’80s, my brother, an entertainment attorney in New York, introduced me to Tom Fenton and Dick Kaylor at Synchronal. I did some legal and FTC-compliance work for the company, which was then the largest infomercial company in the nation.
In 1990, Congressmen Ron Wyden and Norm Sisisky invited members of the infomercial industry to testify at a hearing about the industry’s practices. I was tasked with preparing Greg Renker, co-founder of Guthy-Renker, to testify as the industry’s representative.
During Greg’s testimony, Sisisky asked whether there were industry standards or an industry group representing the interests of companies producing infomercials. When Greg said there were none, a light bulb went off. I decided the industry needed an association, and I set out to organize it.
Over the next few months, I worked with Greg and other industry leaders to form the National Infomercial Marketing Association (NIMA), which eventually became ERA. Twenty-one years later, the rest is history.
ER: What product or products have changed the face of DRTV within the past 25 years?
Knowles: In my opinion, Proactiv Solution is the single most transformative DRTV product over the past 25 years. It has generated more sales than any other DRTV product, and Guthy-Renker’s success integrating A-list celebrities into direct marketing marks a turning point in the industry’s history.
The Thighmaster was another transformative product. As the first wildly successful exercise product marketed through DRTV, it paved the way for other exercise programs such as Tae Bo and P90X that have continued the tradition of reshaping the industry and customers’ lives.
Thighmaster was also one of the first DRTV products to experience widespread counterfeiting and marketing of knockoffs. Many of the legal strategies we employ today to defend clients’ intellectual property were developed while protecting the Thighmaster.
ER: What is your most memorable (insightful, funny or endearing) story of the DRTV industry or a colleague in the industry to date?
Knowles: Greg Renker’s testimony before Congress in 1990, was a turning point for the industry in more ways than one. I will never forget how Greg carried himself during the hearing. At the time, he was only 33 and was president of one of the fastest growing direct marketing companies in the nation. Only a few years earlier, he had been working at the Indian Wells Racquet Club. I had prepared a number of executives to testify before Congress during my career, and it’s safe to say none of them were like Greg.
Watching him in front of the committee and the steady gaze of television cameras from all three major networks, you could tell he was something special. The way he carried himself, the way he responded to questions with the perfect combination of conviction and respect, I could see this was a guy with the intelligence and passion to reshape an industry.
Richard Stacey
President and CEO
Northern Response (Int’l) Ltd.
Electornic Retailer: How did you get your start in the DRTV industry?
Richard Stacey: In 1984, I had a company in Canada selling home-study courses that I wrote on how to get rich in your own business and real estate. They were sold through seminars and mail order. I began seeing infomercials in the United States, selling similar courses by people like Tom Vu, Tony Hoffmann, Hal Morris, Paul Simon and Ed Beckley. I decided to write a script for a 60-minute show called “Blue Print for Success.” That show was a condensed summary of my eight-hour live seminar.
The first time we aired it, the station ran it for free, as they thought it was a public-service educational show. That’s how “early” those days were back then! The phone lines were jammed for over a week from that first single Sunday afternoon airing. From that day forward, I was in the infomercial business.
ER: What product or products have changed the face of the DRTV industry within the past 25 years?
Stacey: In the beginning, the infomercial industry was mostly home study and self-help courses. As the ’80s progressed, companies began experimenting with hard goods like the Hard-Hammered Chinese Cooking Wok or the Annushka Cellulite Reduction Kit. Then the industry literally exploded and everybody got into it. At the same time, the cable industry was expanding so they had plenty of airtime to sell and the industry had plenty of shows to fill it. It was a perfect partnership. We locked up huge blocks of airtime often from midnight to 6 a.m. on most stations. We stopped producing shows and started distributing them. We’ve now distributed over 3,000 shows over the past 25 years. The products have not changed too much–need, greed and vanity still sell. There are certain types of products that fit the DRTV genre in short form and long form. Lately, it’s more about retail and products that can be introduced by DRTV and later sold into Walmart.
There are many memorable and breakthrough products and productions that took the industry to new levels each step of the way. I always thought Media Arts with its Amazing Discoveries series had a big impact in the early days by showing what was possible. Guthy-Renker took it up a notch with its first Personal Power show, which again demonstrated a new standard of quality in DRTV products and production. These types of shows pointed the way.
ER: What is your most memorable (insightful, funny or endearing) story of the DRTV industry to date?
Stacey: What I have always loved about this industry is that there is always something new and exciting going on. Probably the most important insight is that there is no telling what people might buy–it almost always pays to test. Our biggest hits are often ones that you would not have predicted in advance. Sometimes, a show is not so well produced or the product is sort of gimmicky, but that is often what sells.
I remember years ago, a show on how to get better grades in school that reportedly cost a million dollars to produce (a lot of money at that time), that was shot on film and starred many sports stars like Wayne Gretzky. We had to call the station to see if it aired–there wasn’t one call! A few days later, we aired a very simple show called Smart Mop and it took off like a rocket. So you just never know. It also means you have to always keep an open mind because no matter how crazy or off-beat a product is, it might just be the next winner.